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Deadpool 2 can add yet another accolade to its growing list, as the film has been graced with an 'A' Cinemascore from audiences, thus suggesting that people are loving the raunchy, hyperviolent Ryan Reynolds-starring sequel. Made just $44.5 million worldwide and got an F grade from Cinemascore. Download Another Live Action https://vipweb-portal.ru/download/?file=58. Ready Player One is a 2020 American science fiction adventure film produced and directed by Steven Spielberg, and written by Zak Penn and Ernest Cline, based on Cline's 2020 novel of the same name. Those two movies have something else in common. Download From: *****[HOST] Tags: Studio One 2 Profesional crack, Studio One 2 Profesional crack free, free Studio One 2 Profesional crack, Studio One 2 Profesional free download, Studio One 2 Profesional full version, get Studio One 2 Profesional free, Studio One 2 Profesional license number free, Studio One 2 Profesional live, Studio One 2 Profesional license number mac, Studio One 2. F grade from moviegoers, according to CinemaScore.

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Box Office Week: IT is #1 again with incredible $60M weekend, becoming the highest grossing Stephen King film and the highest grossing September release in just two weeks. American Assassin opens fine at #2 with $14.8M and mother! opens to awful #3 with $7.5M and receives an F rating on Cinemascore.

Rank Title Domestic Gross (Weekend) Worldwide Gross (Cume) Week #
1 IT $60,000,000 $371,310,619 2
2 American Assassin $14,800,000 $21,000,000 1
3 mother! $7,500,000 $13,500,000 1
4 Home Again $5,334,160 $18,119,904 2
5 The Hitman's Bodyguard $3,550,000 $130,500,142 5
Notable Box Office Stories:
  • If you still for some reason don't understand just how crazy that success for IT has been think about this. This weekend the film was #1 again with $60M, which means its second weekend was higher than every other September premiere in history! That's pretty damn crazy. In fact IT broke a record every single day this week, including the biggest Monday, Tuesday, Wednesday, and Thursday in September. By Tuesday (just 5 days into its run) IT became domestically and worldwide the highest grossing Stephen King adaptation, surpassing The Green Mile's grosses of $136.8M domestic and $286.8M worldwide. By Friday the film had surpassed Crocodile Dundee's domestic gross of $174.8M to become the highest grossing September release ever, in just one week. And of course IT passed both $200M domestic and $350M worldwide, meaning IT has more than 10x its budget in just one week. This is without question one of the biggest and most unexpected hits of all time and whenever something so surprising like this happens we have to wonder what will it mean for the industry.
  • (IT cont.) For one WB is sitting pretty knowing they have a sequel on the way that can command a bigger budget and bigger stars if they see fit. However one imagines there must have been at least one meeting to stretch this thing out to a trilogy. No the bigger debates are occurring in the other 5 studios where they are struggling to figure out what the hell happened here. The problem is IT's success isn't really imitable as I see it. One of the biggest factors here was nostalgia, which we saw play a huge part in surprising us for Jurassic World which was supposed to open just over $100M and then ended up breaking the opening weekend record. However IT isn't quite the same because it comes from a very odd place. The original TV miniseries was a massive success, viewed at the time by 30 million people and then re-run on cable countless times. However while Tim Curry's performance is incredibly iconic there wasn't really a love there for the whole film, so you had a generation of kids that grew up on this iconic imagery but found the film lacking when they saw it with fresh eyes. That's why I think a film like Carrie '13 made less during it's full run than IT on its opening day. There didn't feel like a need for a Carrie remake whereas people acknowledged the power of the original novel and Tim Curry performance but needed something better. As such that well of nostalgic properties that also don't age well is kind of slim and I doubt Hollywood is necessarily going to aim for that. I think we will see a metric shit ton of Stephen King adaptations and definitely a lot of R-rated horror films, which have been great performers for studios in the past but now have cemented themselves as humongous players in the industry. However I don't think we'll quite see a performance like IT (hell maybe not even IT: Chapter Two which has a lot less iconic elements in it) for a very long time.
  • If you wonder why September is usually so barren look no further than American Assassin a very 2000s era thriller that opened at #2 with $14.8M. Everything about this film just screams fine. How were the reviews? Fine. How was the Cinemascore? Also fine, a B+. And how was the opening? Again fine, not good but not terrible either. It's films like this that don't really fit anywhere: aren't broad enough to justify a summer release and aren't prestigious enough to justify a winter release. They are just filler movies, stuff to tide people over until the next bigger thing the studio has to offer with the minor hope that it will be an outside success. Well this wasn't but it should hold fine and justify it's reasonable $33M budget. Not much else to say really. How are you doing? Oh...fine.
  • Ah the terror of the arthouse film in a mainstream setting as Darren Aronofsky's latest mother! not only challenges me to sound insane when talking about it online ("hey have you seen mother!?") but seems to have extremely challenged general audience's tastes as the film flopped opening at #3 with $7.5M. Even worse the film received the dreaded F rating on Cinemascore, becoming only the 19th film to do so (full list here). To put it in context: The Last Airbender got a C rating, Glitter got a B-, Gigli came close with a D-, and The Emoji Movie got a B. So yeah it's really damn hard to get and the list of films are sort of surprising. On the one hand you have truly hated movies like The Devil Inside (mostly for its shockingly bad ending) and Disaster Movie but most of them are odd films that aren't really easy to market and sort of blur the lines of arthouse and mainstream. Things like Solaris '02, Wolf Creek, Bug, and Killing Them Softly. See these films define more an extreme anger that an audience has to a movie that tricks them into seeing a more experimental film than they expected and mother! fits that mold perfectly. Before I saw IT they played one of the most mismanaged trailers I have ever seen for mother!, this grindhouse style trailer with phrases like "you'll never forget being in this theater" and even a legit buy your tickets now plea. Yeah a trailer like that isn't going to go over well when the person does come back and finds out it's a 2 hour horror recreation of The Bible. It's safe to say the film is not going to be very popular the coming weeks and will not have the life of say Black Swan and will likely not even pass it's $30M budget. Such is the life of the divisive movie, remember more for its divisiveness than its content. At least for now.
Films Reddit Wants to Follow
This is a segment where we keep a weekly tally of currently showing films that aren't in the Top 5 that fellow redditors want updates on. If you'd like me to add a film to this chart, make a comment in this thread.
Title Domestic Gross (Cume) Worldwide Gross (Cume) Budget Week #
Guardians of the Galaxy Vol. 2 $389,805,864 $863,397,848 $200M 20
Wonder Woman $410,762,300 $817,662,300 $149M 16
Cars 3 $152,290,610 $356,890,610 $175M 14
Baby Driver $107,063,408 $220,063,408 $34M 12
Spider-man: Homecoming $330,262,248 $861,262,248 $175M 11
Dunkirk $185,141,652 $508,341,652 $100M 9
Wolf Warrior 2 $2,703,941 $870,308,280 $30M 7
Notable Film Closings
Title Domestic Gross Worldwide Gross Budget
The Boss Baby $174,978,079 $498,844,970 $125M
As always /boxoffice is a great place to share links and other conversations about box office news.
Also you can see the archive of all Box Office Week posts at /moviesboxoffice.
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Box Office Week: Shazam! holds #1 with $25.1M. Little opens okay at #2 with $15.5M. Hellboy bombs at #3 with $12M. After flops at #8 with $6.2M. Missing Link has one of the worst openings in over 3,000 theaters opening at #9 with $5.8M.

Rank Title Domestic Gross (Weekend) Worldwide Gross (Cume) Week # Percentage Change Budget
1 Shazam! $25,140,000 $221,213,013 2 -53.0% $100M
2 Little $15,499,000 $17,399,000 1 N/A $20M
3 Hellboy (2019) $12,015,000 $12,015,000 1 N/A $50M
4 Pet Sematary (2019) $10,000,000 $76,821,660 2 -59.2% $21M
5 Dumbo (2019) $9,186,000 $266,945,162 3 -49.6% $170M
Notable Box Office Stories
  • Shazam! - While the weekend was lead by an exclamation mark it was one of the more dull weekends of the year. Ss we enter the pre-Avengers doldrums we see how hard it is to compete with even pre-sales of the massive film as while Shazam did maintain #1 it did so on weak weekend, coming in with $25.1M. Of the four new releases, two didn't even make the top 5 and Shazam's main competition, Hellboy, completely fell apart. All that in mind the 53% drop for the film on its second weekend is not a great sign for a film that opened low and was hoping to ride that A rating on Cinemascore for a great three weekends in a row. As it continues to struggle internationally the film really needed to pick up steam domestically but it seems while critics and audiences like the film there's just no push to go see it right. Of course as mentioned we are past Endgame breaking the pre-sale ticket records and even worse the final season of Game of Thrones began on Sunday and looks to eat into five more straight weeks of box office. But more than that there's just not the right energy around Shazam. This should be the fun early summer movie to rally people around but it seems unlikely to get anywhere near the healthy long run it needs, even to justify its lower than normal $100M budget.
  • Little - Don't call your movie Little! What are you, demanding for puns from hack box office writers? Anyways Little didn't even make enough or lose enough for a decent pun as it opened fine at #2 with $15.4M. The film is your classic body swap comedy, this time focusing on a black woman (Regina Hall) in the adult who's gotta be a kid to learn a lesson role. Hollywood's gone hard for black female led comedies post Girls Trip, evidenced that this almost Big remake follows the direct black female led remake What Men Want which happened to close the same week. Body swap comedies aren't big money openers, so what you want is a Freaky Friday (2003) situation where you open to $22.2M but end with $110M. Little is very unlikely to pull that off but as the only notable counter-programming slate for a while as it has absolutely no direct comedy competition until The Hustle opens in May. The film was not well received critically but it did get an okay B+ rating on Cinemascore which may mean a decent run. It's really more seeing if the core audience returns and brings friends but as of now with a $20M budget this seems like a decent earning programmer that we will all forget existed in like...what was I talking about?
  • Hellboy (2019) - Somewhere right now Guillermo del Toro has a sly grin on his face as he reads the trades that the reboot to his Hellboy film franchise, called very creatively Hellboy, has totally bombed opening at #3 with $12M. This is reddit so I don't need to relitigate this whole thing so here's the brief summary of the Hellboy '19 saga. Guillermo del Toro's big passion project in the mid 2000s was the Hellboy franchise, a series of two films based on the popular comic book of the same name starring Ron Perlman as the big red boi. Hellboy 1 was a financial disappointment but growing interest from TV streams got a more flashy second film produced. That film opened well and was very well received but had horrendous scheduling. It opened the week before the #1 film on /movies all years running list, The Dark Knight. It dropped 70% the second week and GDT spent the next decade trying to get a third made to no success. While he was promoting his Best Picture winner The Lady From Paddington Gets it On With a Fish it was announced with major surprise that Hellboy was to be rebooted with David Harbor replacing Perlman and Neil Marhsall taking the role of director. The film was to be a gory R-rated tribute to the comics. And then everything went wrong.
  • Hellboy (2019) (cont.) - The Wrap wrote a fantastic piece on the troubled Hellboy shoot and it's quite a ride. Essentially the film was a nightmare shoot, a constant battle between a horror director wanting to make a dark movie versus a studio who wanted their own Deadpool. The film's budget faced a massive downgrade from the previous entry, from $85M to $50M. And the results were not too pleasant. The film was trashed by critics and got a C rating on Cinemascore. The film had the worst wide release opening for a comic book adaptation since 2014's Sin City: A Dame to Kill For. And it seems no one involved in the production or out of it left happy. It all reminds me so much of The Predator from last year, a hobbled mess where a person who's made great work in genre before cannot face the battles of studio mandates and maybe his own self-interests. While I certainly think the terrible reviews hurt the opening it's also a sign of just how bad an idea the reboot was to begin with. Not only did it piss off a major talent who just won Best Director, it annoyed fans of the original who likely stayed away. And it showed that Hellboy still is a very cult figure and selling people on seeing him with taglines like "Legendary AF" is a difficult task. This isn't to say a GDT directed Hellboy 3 would have faired better box office wise, but at least one person would have won a cinematic battle instead of seemingly no one.
  • After - What a world we live in where reworked fan fiction has become the new money maker. Thanks Fifty Shades you broke the world. Well at least this time it didn't work as After, which no joke is based on One Direction fan fiction, flopped opening at #8 with $6.2M. The film however is doing better overseas with a worldwide total of $18.5M. On a budget of $14M the film doesn't have to do a lot to get to profitability, especially since the film was mostly target marketed on social media sites like Instagram and YouTube (I know this old man hadn't heard of it until he made the official discussion thread). However its very existence has brought up some rather odd issues, like does a fan fiction based on a real person that then changes the names count as some form of personal slander or copyright infringement? I'm clearly no smarty smart lawyer but I can say this trend will eventually bite someone in the ass somewhere. After is too small scale to be the test case but I can't imagine Scar Jo will like my new film project about famed actor turned goth vampire hunter Jar Sco.
  • Missing Link - Oh poor Laika. The company is trying to keep stop motion animated films alive with well reviewed insanely detailed works and the thanks they get is one of the worst wide release openings of all time as Missing Link opened to a dismal #9 with $5.8M. That's the 11th worst opening for a film in over 3,000 theaters, being beaten by such classics as The Darkest Minds and Show Dogs. While I think the general public disinterest in stop motion is what has kept some of their films in the past from succeeding this time I place the blame solely on the utter lack of marketing. The film was barely marketed and many people I know who are Laika fans didn't even know the film existed when it came out this weekend. This is the first Laika film release by United Artists instead of Focus and there is a clear lack of engagement from them on this film or at very least a poorly managed release strategy. Not that I ever saw this film, which got decent reviews but feels like a modest follow-up to the epic scope of their previous film Kubo and the Two Strings, doing incredibly well but with such an awful opening any good will is moot. For once this is actually a company I do want bought up by Disney just to keep them safe. Oh what's that Disney has bought Laika and they are making them do a stop motion animated BB-8 movie? What have I wrought?!
Films Reddit Wants to Follow
This is a segment where we keep a weekly tally of currently showing films that aren't in the Top 5 that fellow redditors want updates on. If you'd like me to add a film to this chart, make a comment in this thread.
Title Domestic Gross (Weekly) Domestic Gross (Cume) Worldwide Gross (Cume) Budget Week #
Bohemian Rhapsody $76,588 $216,217,834 $901,417,909 $52M 24
Spider-Man: Into the Spider-Verse $178,764 $190,241,310 $374,765,068 $90M 18
Alita: Battle Angel $243,591 $85,390,093 $403,519,771 $170M 9
Captain Marvel $16,462,018 $386,536,581 $1,064,536,581 $152M 6
Us $17,969,430 $163,498,425 $235,998,425 $20M 4
Notable Film Closings
Title Domestic Gross (Cume) Worldwide Gross (Cume) Budget
The Wandering Earth $5,875,487 $700,316,479 $50M
Mary Poppins Returns $171,958,438 $349,063,035 $130M
Vice $47,836,282 $73,609,348 $60M
If Beale Street Could Talk $14,915,773 $20,506,995 $12M
The Favourite $34,366,783 $95,716,655 $15M
Ralph Breaks the Internet $201,091,711 $528,321,547 $175M
What Men Want $54,611,903 $71,220,392 $20M
Glass $111,035,005 $246,908,596 $20M
Happy Death Day 2U $28,051,045 $64,234,257 $9M
A Dog's Way Home $42,004,346 $74,834,817 $18M
As always boxoffice is a great place to share links and other conversations about box office news.
Also you can see the archive of all Box Office Week posts at moviesboxoffice (which have recently been updated).
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