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/r/QOTSA Official Band of the Week 21: ALL THEM WITCHES

Let me ask you a question. If you haven’t listened to Kyuss, are you even a QotSA fan?
I suppose it is possible. Some people can be Peter Gabriel fans without being Genesis fans, or Ozzy Osbourne fans without being Black Sabbath fans, or Audioslave fans without being fans of Soundgarden and Rage Against the Machine. And I am pretty sure that there are Foo Fighters fans out there who are not fans of Nirvana -- probably because Foo Fighters are a way better band than Nirvana.
Yeah, I said it. Come at me.
But QotSA without Kyuss? I can’t see it. Maybe I am biased because I just love the low desert sound. Heavy riffs, lots of fuzz ,and earthquake-inducing bass are my jam. That’s why I love Self-Titled so much and why I feel 18 A.D. is chronically underappreciated as a song, and it is an absolute crime that they don’t play it live.
I know I am not alone in this. Kyuss were a genre defining band that created what we now call Stoner Rock. Bands like Valley of the Sun, King Buffalo, Truckfighters, Stonerror, Sleep, Clutch, Mother Engine, Mondo Generator, Duel, and Fu Manchu all continue to write and perform Stoner Rock today. If you haven’t taken a dive into this scene, I totally envy the fact that you get to experience this music for the first time.
Today we are going to check out a great Stoner Rock band that just dropped a new album a few weeks ago. They have more fuzz than a five day backwoods fishing trip. They have bigger jams than Smucker’s, Welch’s, and Kraft combined. They will make your one-hitter hit a home run. You are gonna want to roll down the windows of your low riding caddy and drive all night through the desert.
Yep, you are in for a treat. This week’s band is ALL THEM WITCHES.
About Them
You are familiar with the Hero’s journey, right? That is the literary trope where our protagonists leave their comfortable little world, are mentored through a series of increasing challenges, find themselves at a low point, overcome obstacles, and return home greater and wiser than before?
As with every story of heroes, our group of adventurers from Nashville Tennessee went on a truly epic journey. Drummer Robby Staebler had just arrived in Nashville from Portland, Oregon and was looking for some buds to start a band. He had rolled up at his new home in the back of a moving van, because his mom had decided that he was just not good enough to ride up front. His dad was conspicuously absent. After meeting a sketchy male role model with a Smashmouth-esque chinstrap beard, he was forced by this would-be academic to enslave a small animal. He then ran away from home to engage in a series of escalating gladiatorial fights for money.
Wait. Shit. That is the plot of Pokemon Emerald, not the story of All Them Witches. Damn free emulators. Such a massive time sink.
Mudkip for the win. You are damn right I’m bringing back that meme.
Where was I? I kinda got distracted there. Oh yeah. Robby Staebler was looking for a band. He met guitarist Ben McLeod in a bar (remember when we could meet people in bars?) and then met aspiring drama student Charles Michael Parks Jr. when he took a job at “a corporate hippie store”. Parks Jr. turned those theatre aspirations into being a great frontman and bass player. The band rounded out their membership with Allan Van Cleave, a friend of Staebler, on keys. All Them Witches took the inspiration for their name from the set-prop book entitled All of Them Witches in the 1968 Roman Polanski Spawn-of-Satan movie Rosemary’s Baby.
Let’s get something else out of the way: Yes, I said Nashville Tennesee. The Buckle of the Bible Belt. The Protestant Vatican. The Athens of the South. The Hot Chicken Capital. Yes, the self-proclaimed Music City is perennially associated with Country music, Gospel music and, to a lesser extent, contemporary Christian Rock. There is a Jazz scene. There are active Barbershop groups. The city is the home of the Grand Ole Opry and the Country Music Hall of Fame and Museum. Hee Haw was shot there. It is a city that, until a few decades ago, still had strong ties to the Confederacy.
How the hell did a Stoner Rock band start there?
Quickly, that’s how.
The band were officially formed in February of 2012 (remember when that year was supposed to be the end of the world? C’mon, Mayans, if you really meant 2020 why didn’t you just say 2020?) and released their first album, Our Mother Electricity, on December 6th, 2012. Being from Nashville, the album was of course released on the German heavy psych label Elektrohasch Schallplatten. So just so we’re clear: Stoner Rock was born in the California Desert and then adopted by a band from Tennessee and released on a German label. I just have one question: Where the fuck is Carmen Sandiego?
To be fair, All Them Witches characterized their debut sound as being ‘psychedelta rock’...which kinda sounds like a knock off version of an X-Man. The album is full of heavy jams. Listeners can expect to hear the influence of the blues mixed with deep fuzz and highly compressed vocals. Until it Unwinds is over eight minutes of rolling swagger that will have you thinking about 50 Million Year Trip. Heavy/Like a Witch has some definite Stone Temple Pilots vibes and is a great opener. The true standout on the album is The Urn, a dark and twisted fable that is really the antithesis of everything one associates with music in the Bible Belt. The album was a declaration of war on everything cheery and pleasant to be found in the Music City, and a bold statement from a band finding its feet.
The band were not entirely happy with the production on Our Mother Electricity. In order to assert themselves, they went ultra low-tech. The released the Extra Pleasant EP in July of 2013. It was recorded on a 4-track cassette tape using only two microphones. Production-wise, it is a step back - but when you listen to it on headphones, you can appreciate the raw talent. It is a weird low-fi follow up and almost like listening to a debut rather than the first album. Listening to this EP is like hearing a Pink Floyd cover band’s first original songs that have been mashed up with Clutch and recorded on an iPhone 4. Even with those limitations, tracks like Sludger will stay with you and are worth your time.
While their first two releases had some modest success, All Them Witches really did not get widespread acclaim until the release of their second full album, Lightning at the Door, in late 2013. Every band that has ever released anything on Bandcamp wants to experience the kind of underground word-of-mouth sensation that this album generated. The album is part-concept, part-thematic and has narrative threads that tie it together (e.g. the two tracks The Marriage of Coyote Woman and The Death of Coyote Woman - clearly, not a happy ending for the titular character). If you loved Songs for the Deaf and Rated R, then this is the album that you are going to want to start with as an introduction to the band. It has some amazing tracks - Funeral for a Great Drunken Bird and When God Comes Back are great on their own - but it is best experienced as a complete album. Do yourself a favor: Find a great set of headphones and listen to it front to back. You’ll thank me.
How do you follow up a concept album that gives you unforeseen popularity and access to a broader audience? Do you, say, create a dark follow-up to it, and find the title for that album in a lyric from a hidden track?
Who the fuck would make a weird choice like that?
All Them Witches took a different route and decided to instead channel their inner Beck. The Effervescent EP came out in June of 2014. There are only two songs, each clocking in at about 25 minutes long. Side A is Effervescent and Side B is Tnecsevreffe. The EP is a Rorschach blot of instrumental music in multiple movements that channels incredible musicality and allows you to superimpose your own meaning on it. It is like listening to Pink Floyd and Led Zeppelin have a baby, if that baby was raised listening to coyotes howl and instrumental Kyuss tracks all mashed together on one continuous loop. Fans of the German band Mother Engine will hear definite parallels. The weird thing about Effervescent is its length: it is hard to think of it as an EP, because it is 50 minutes of music. But it has only two tracks, so it can’t really be an album...can it?
Yes, before you start in on me, I know about Sleep’s Dopesmoker. That 2003 one-song album may also have influenced our boys from the Hee Haw city.
So after playing around with longer and more intricate multiple-movement songs, it is no surprise that All Them Witches dropped a 57 minute ‘EP’ in 2015. A Sweet Release hit the airwaves on April 20. Yep, 4/20. No, that was not a coincidence. No, I’m not going to explain that to you. If you gotta ask, you’ll never know. Yes, if anyone doubted at all that this band was a Stoner Rock band, fuck all y’all, the release date is proof. Tracks on the EP range in length from almost 2 and a half minutes to over 24 minutes. It is a spacey, laid-back jam that is at times hypnotic and far-reaching, and equally urgent and immersive.
I’m not saying that you need to be high to appreciate this EP. I’m just saying that listening to Interstate Bleach Party and Howdy Hoodee Slank in the right…mood ...can make you see the color Octarine.
Lightning at the Door and Effervescent cemented All Them Witches as true underground masters of Stoner Rock. 2015’s Dying Surfer Meets His Maker saw them broaden their musical scope and refine their sound. The album (yes, it is an album this time) leans heavily into the Blues with layers of grunge and psychedelia and celtic strings and even harmonicas. (Side note: the last time I heard harmonicas used in Stoner Rock was never. So good on them. I will say this: the hook brings you back.) All these influences were mixed in one big bowl and smoked out the top of a giant bong for full effect. It is at the same time a more technical and more mellow album. Stand out tracks on the album are the hard hitting Dirt Preachers and El Centro and This is Where it Falls Apart.
All Them Witches found themselves touring the small club circuit and then playing bigger and bigger stages. They got invited to festivals like Bonnaroo and were greeted by enthusiastic fans (and clouds of fragrant haze). There is nothing like performing live to hone a band’s edge. By the time Sleeping Through the War dropped in 2017, the boys had been together, touring and recording, for five years. The album is tightly crafted by a tight band. There are even guest vocalists to add texture and harmony to the songs. Less mellow than its predecessor, the album roars right from the opening track - Bulls - through to the closing track, Guess I’ll Go Live On The Internet. 3-5-7 is probably one of the best Stoner Rock tracks you will come across. And when you recognize the tonal mirroring of Am I Going Up with Alabaster, you feel smarter than you actually are. Lots of albums have made me bang my head; very few have made me stop and recognize the musical structure that underpins the melody. That is Tool-level composition right there. Long story short: this is an album put out by a band in its prime and it does not disappoint.
If you remember what happened in English class, what follows the apotheosis for the main character is the falling action or denouement. All Them Witches had peaked with Sleeping Through the War and had nowhere to go but down. The 2018 Lost and Found EP was four (comparatively) short covers and remixes that seemed more like leftovers than an actual meal. Sure, leftovers can be tasty, but All Them Witches fans were used to getting new and better breakfasts, luncheons and dinners and instead got last Tuesday’s reheated bean burrito. Which is fine, if you dig burritos, but it is still not as good as a nice, juicy steak.
Goddam, is anyone else craving a meal? Why is it so smoky in here, and why do I want to eat burritos and Doritos?
Hehe. Dorito. Burrito.
Fuck. I need to focus. Moving on.
Any fan of the band could tell that something was up, and that Lost and Found was at best a B-Side. It soon became evident that something really was up. Keyboardist (and part-time violinist) Allan Van Cleave was out of the band. This left a gigantic Ray Manzarek-esque hole in the band’s sound. The breakup was not a good one, and left some scars.
Van Cleave was replaced by Jonathan Draper, and the band released the album ATW in Sept of 2018. Sonically, the album is sound, but seems to lack the spark of greatness that was in everything prior to Lost and Found. The technical skills are there - Draper knows his way around a keyboard, and that is clearly evident on Fishbelly 86 Onions - but it kinda (IMHO) sounds more like an amazing All Them Witches cover album than an actual effort by the band. It is kinda like Bryan Cranston dressing up in a Walter White mask. It is super close to previous efforts but just not the same, somehow. 1st vs. 2nd is a jam and so is Diamond, and the album has an unrelenting energy, but it is just a bit off the mark.
The band must have felt something similar. Draper was turfed from the group just a month after ATW dropped. Instead of trying to recreate the four member sound that had anchored them since John Cusak and Amanda Peet’s landmark film, they decided to choose a new direction entirely.
When bands shuffle their lineup, it tends to be adding members (like our very own ancient monarchs) or replacing members. Very few bands successfully delete members. Well, OK, that band from Liverpool did successfully delete Stuart Sutcliffe from its lineup and they went on to do alright. Genesis made a successful transition from a 4-piece to a 3-piece when Peter Gabriel left. Oasis got 100% better when Liam Gallagher and his ego both quit. But losing an integral part of your sound - and the keyboards were central in so many songs - would be a tough transition. The band’s fanbase-not-so secretly worried that the lack of keyboardist would spell the end. Thankfully, we were wrong.
All Them Witches took that leap. Digging into their nomenclature and lore, they released a single as a three-piece band on Halloween of 2019. 1X1 is an angry, powerful Stoner Rock jam with a video that is an homage to Jesus Christ Pose. It is a Kyuss-meets-Tool-meets-Led Zeppelin-at-a-Black-Sabbath-concert song that made everyone simultaneously applaud and exhale.
They were back.
The new LP Nothing as the Ideal just dropped on September 4th, 2020. It is a leaner, meaner iteration of the band that seems to have lost no momentum. Everything resonates with power. Saturnine and Iron Jaw evokes Tony Iommi riffage. The Children of Coyote Women is a direct callback to the album Lightning at the Door. 41 is a thumping tune and Enemy of my Enemy is a relentless sonic attack. But most importantly, we get to see All Them Witches evolve as a band but hang on to the core of their sound.
You’re never going to hear this band on your local top 40 radio station. You might catch them on College radio, if the DJ is cool enough. Like most great music nowadays, you have to go looking to find it. But when you do find it, what an amazing experience it can be.
So now you have completed your Hero’s Journey (Twist! It turns out that YOU were the hero all along!) According to the trope, you are now older and wiser because you have ventured out of your comfortable little world.
Now prove me right, hero. Go listen and awaken your inner stoner. And bring me some goddamn Doritos. Cool Ranch for the win.
Links to QOTSA
Josh has included All Them Witches on The Alligator Hour and is known to be a fan of the band.
A recent review of Nothing as the Ideal stated that Charles Michael Parks Jr.’s voice was “Fantastic...like a bassier Josh Homme”.
More importantly, All Them Witches are a Stoner Rock band...and Josh literally invented the genre. It is clear that while the band has grown and evolved and are taking themselves to new places, their music has been inspired by that downtuned, low desert Kyuss groove.
Their Music
Until it Unwinds
Heavy/Like a Witch
The Urn
Extra Pleasant EP
The Marriage of Coyote Woman
Funeral for a Great Drunken Bird
When God Comes Back -- Live and badass
Effervescent
Interstate Bleach Party
Howdy Hoodee Slank
Dirt Preachers -- Live in 2016
El Centro
This is Where it Falls Apart
Bulls
3-5-7
Fishbelly 86 Onions
1st vs. 2nd
Diamond
Under Pressure -- yes, that song.
Open Passageways
Diamond
1X1
The Children of Coyote Woman
Enemy of my Enemy
Show Them Some Love
/AllThemWitches
Previous Posts
Tool
Alice in Chains
King Gizzard and the Lizard Wizard
Rage Against the Machine
Soundgarden
Run the Jewels
Royal Blood
Arctic Monkeys
Ty Segall
Eagles of Death Metal
Them Crooked Vultures
Led Zeppelin
Greta Van Fleet
Ten Commandos
Screaming Trees
Sound City Players
Iggy Pop
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Radiohead
submitted by House_of_Suns to qotsa

Assassin's Creed Valhalla - Review Thread

Game Information

Game Title: Assassin's Creed Valhalla
Genre: Action-adventure, role-playing, open world, Vikings
Platforms: Playstation 4/5, Xbox One, Xbox Series S/X, PC, Stadia
Media: - Opening Hours Gameplay | Norse Mythology
Cinematic TV Spot
Post Launch & Season Pass Trailer
New Gameplay Walkthrough | Deep Dive Trailer
Story Trailer
Official Soundtrack Cinematic Trailer | Eivor’s Fate - Character Trailer
Gameplay Overview Trailer | UbiFWD July 2020 | Official 30 Minute Gameplay Walkthrough | UbiFWD July 2020NA
First Look Gameplay Trailer
Cinematic World Premiere Trailer
Developer: Ubisoft Montreal Info
Publisher: Ubisoft
Price: Standard - $59.99 USD (contains microtransactions)
Gold - $99.99 contents
Ultimate - $119.99 contents
Release Date: November 10, 2020
PS5 - November 12, 2020
More Info: /assassinscreed | Wikipedia Page
Review Aggregator:
OpenCritic - 84 | 92% Recommended [Cross-Platform] Score Distribution
MetaCritic - [PS5]
MetaCritic - 85 [XBSX]
MetaCritic - 85 [PC]
MetaCritic - 82 [PS4]
MetaCritic - 82 [XB1]
Viciously arbitrary compilation of main games in the Assassin's Creed series -
Entry Score Platform, Year, # of Critics
Assassin's Creed 81 X360, 2007, 77 critics
Assassin's Creed II 90 X360, 2009, 82 critics
Assassin's Creed: Brotherhood 89 X360, 2010, 81 critics
Assassin's Creed: Revelations 80 X360, 2011, 77 critics
Assassin's Creed III 84 X360, 2012, 61 critics
Assassin's Creed IV: Black Flag 88 PS3, 2013, 36 critics
Assassin's Creed Rogue 72 PS3, 2014, 53 critics
Assassin's Creed Unity 72 XB1, 2014, 59 critics
Assassin's Creed Syndicate 76 PS4, 2015, 86 critics
Assassin's Creed Origins 81 PS4, 2017, 63 critics
Assassin's Creed Odyssey 83 PS4, 2018, 86 critics

Reviews


Website/Author Aggregates' Score ~ Critic's Score Quote Platform
Kotaku - Zack Zwiezen Unscored ~ Unscored Overall, it feels a lot of care and thought went into making Valhalla feel less like a checklist of things to do and more like a world to organically experience.
Polygon - Nicole Carpenter Unscored ~ Unscored Valhalla’s most intriguing story is one about faith, honor, and family, but it’s buried inside this massive, massive world stuffed with combat and side quests. That balance is not always ideal, but I’m glad, at least, that it forces me to spend more time seeking out interesting things in the game’s world. XB1
Rock, Paper, Shotgun - Alice Bell Unscored ~ Unscored For fans of the series it’s really entertaining. It might not set the world on fire, but you can set some virtual bits on fire yourself if you want. PC
IGN India - Shunal Doke Unscored ~ Unscored Its new skill system promotes experimentation with different builds, and gear has been streamlined in a way where you’re not constantly chasing bigger numbers every single moment. Level grinding has all but disappeared, and the new setting just oozes atmosphere and theme. Boring protagonist aside, Valhalla is definitely the strongest of the new Assassin’s Creed RPG trilogy.
ACG - Jeremy Penter Unscored ~ Wait for Sale Some amazing changes to the way the game is presented, all for the better, can't get out of the way from somewhat weightless combat, bugs and other issues. PC, XB1, XBSX
Eurogamer - Tom Phillips Unscored ~ Recommended Valhalla is another enormous Assassin's Creed saga, lavishly designed, with its sights set on story direction over narrative choice. XBSX
Daily Star - Tom Hutchison 100 ~ 5 / 5 stars Assassin’s Creed Valhalla is another success in the series. PS4
PowerUp! - Leo Stevenson 96 ~ 9.6 / 10 Assassin's Creed Valhalla is the best Assassin's Creed ever. Fully embracing its new genre and giving players so much choice and freedom has paid off handsomely. There's not really much more to say. You simply have to experience it for yourself. XBSX
Gamers Heroes - Blaine Smith 95 ~ 95 / 100 Assassin's Creed Valhalla is the best tale the franchise has ever told, featuring the most varied and rewarding gameplay the series has seen in years. Valhalla will forever dine in Odin's Hall as one of the greatest RPGs of this generation. PS4
Vamers - Edward Swardt 95 ~ 95 / 100 It is, undoubtedly, the best Ubisoft has to offer at this stage in time, and will forever be regarded as one of the greats in the Assassin's Creed franchise. XBSX
Game Informer - Joe Juba 93 ~ 9.3 / 10 Assassin's Creed Valhalla is full of interesting stories and fun interlocking systems, making it an engrossing world you can easily get lost in XBSX
Impulsegamer - Stephen Heller 92 ~ 4.6 / 5 A intriguing change of pace that gives the Assassin's Creed series the breathing room it has so desperately needed for eons, without making any compromises on content. Well worth you time to enter the gates of Valhalla.
PC Gamer - Steven Messner 92 ~ 92 / 100 Bloody and captivating, Valhalla is Assassin's Creed at its best. PC
Critical Hit - Darryn Bonthuys 90 ~ 9 / 10 A saga for the ages, Assassin's Creed Valhalla is a breathtaking journey of discovery that has a cold charm to it. It is both serious and ludicrous in equal measure, an RPG that has added more than it has removed from its core experience while delivering a game that feels familiar and completely new at the same time. Skal! XBSX
Digitally Downloaded - Matt Sainsbury 90 ~ 4.5 / 5 stars That being said, as far as the gameplay is concerned, this series is going nowhere interesting at this point there while there will be more, and I really implore Ubisoft to take a good, hard look at the bloat and consider whether a more streamlined approach that doesn't get in the way of the best feature (the history and narrative) would not be wiser next time around. PS4
DualShockers - Cameron Hawkins 90 ~ 9 / 10 Assassin's Creed Valhalla is a combination of everything that made the series great up to this point while cementing all that it needs moving forward. XB1
Game Rant - Joshua Duckworth 90 ~ 4.5 / 5 stars Assassin's Creed Valhalla is a love letter to fans of the classic action-adventure titles as well as the newer role-playing mechanics. XB1
GameZone - Mike Splechta 90 ~ 9 / 10 As an Assassin's Creed fan who has stuck by the series through its high points, and was certainly disappointed by many of its low points, I can confidently say that what Ubisoft has crafted here was not only crafted with an immense amount of love and respect for the series, but for its fans as well. Assassin's Creed Valhalla is one Viking adventure you certainly don't want to miss. PS4
Gamer Escape - Eliot Lefebvre 90 ~ 9 / 10 Like I said at the beginning, you kind of want these games at some point to stop working, but… Assassin’s Creed: Valhalla really works. It works in all the ways it wants to work. It takes the bones of its predecessor and improves the overall gameplay significantly, giving players plenty to do, characters to invest in, and a satisfying core gameplay loop that’s been refined down to a careful formula at this point. PS4
GamesRadar+ - Louise Blain 90 ~ 4.5 / 5 stars With a sprawling world to conquer and gory combat but also the chance to use that iconic hidden blade, Assassin's Creed Valhalla brings a triumphant balance to the series. XBSX
GamingBolt - Shubhankar Parijat 90 ~ 9 / 10 Assassin's Creed's third crack at the massive open world RPG formula is also its most confident, making for a streamlined yet sprawling adventure that ranks as one of the best the series has delivered since its inception over a decade ago. XB1
Glitched Africa - Marco Cocomello 90 ~ 9 / 10 Assassin's Creed: Valhalla may be an even further step away from the traditional Assassin's Creed recipe but it is still a great game. Besides the addictive combat and fantastic skill tree, I loved how it fixed the pacing issues from Odyssey. I had a purpose this time around and knew where I was going and what I was doing. The Viking setting is refreshing too and delivers some decent tales to experience while exploring a breathtaking world. PS4
Noisy Pixel - Azario Lopez 90 ~ 9 / 10 Assassin’s Creed Valhalla takes the advancements of the series found in Odyssey and applies it to a whole new setting. As brutal as the period of Vikings is, there’s something beautiful about this adventure. Every action is rewarded with some great moments of storytelling, and aside from a few narrative roadblocks tied to the player’s level, there’s an amazing world here just waiting to be discovered. PS4
Press Start - James Mitchell 90 ~ 9 / 10 Assassin's Creed Valhalla blends old and new to create a unique experience and one of the best Assassin's Creed experiences yet. It combines series-best combat, a compelling story, and mesmerizing locales to dually offer a definitive Viking and assassin experience. XBSX
Pure Playstation - Chris Harding 90 ~ 9 / 10 Ubisoft delivers another open-world epic, but this time it's a focused and streamlined affair. The graphical overhaul works to announce the end of one era and the beginning of another as Assassin's Creed continues its ongoing evolution as an accessible action-adventure for the long-time fans, while still offering a deep RPG experience for those introduced via Origins and Odyssey. PS4, XB1
Rocket Chainsaw - David Latham 90 ~ 4.5 / 5 stars It’s hard to find flaws in Valhalla unless you’re a die-hard Assassin’s Creed fan. XB1
Stevivor - Ben Salter 90 ~ 9 / 10 Like Origins, Valhalla benefits from a year off with a fresh audience. It doesn’t reboot this time, but instead improves upon the duo it’s following, introducing proven elements from some of the best in the business. XBSX
TechRaptor - Nirav Gandhi 90 ~ 9 / 10 Assassin's Creed Valhalla streamlines the best parts of Origins and Odyssey while trimming the fat, though is hampered consistently by bugs and technical problems. Still, it's a journey well worth taking. PC
Video Game Sophistry - Andy Borkowski 90 ~ 9 / 10 This is not a tactical assassination simulator - it's a complicated, crafted and nearly perfect open world experience that (if you give it a chance) it will win you over
WellPlayed - Adam Ryan 90 ~ 9 / 10 Valhalla brilliantly mixes brutal combat with satisfying stealth to offer up a package that ticks many open-world boxes that are so often missed PS4
Sirus Gaming - Jarren Navarrete 85 ~ 8.5 / 10 Eivor's tale is an interesting story to experience and the gameplay that comes along the journey is liberating without being repetitive. With that, we recommend the game fully. It's not without its flaws. Even under the shadow of its predecessors, Valhalla is certainly a game that stands on its own. PS4
Wccftech - Francesco De Meo 85 ~ 8.5 / 10 Assassin's Creed Valhalla is a definite step up for the series, thanks to the many tweaks made to the RPG mechanics that powered the previous two entries in the series, better storytelling, great atmosphere, and meaningful side-content. Even with the tweaks, however, Assassin's Creed Valhalla is still an Assassin's Creed game at heart, so those who are not into the Ubisoft open-world game design will hardly change their opinion with the game. PC
Cubed3 - Drew Hurley 80 ~ 8 / 10 Fans of the series are going to adore Assassin's Creed Valhalla. Origins and Odyssey felt like Ubisoft trying something new, stretching out and seeing what worked, and Valhalla takes what was learned there and expands upon it. Some things, like the combat, don't feel quite there yet, still, but other elements absolutely have evolved for the better. There's a lot to love here, and not just in the frankly absurd amount of content available. The story is fantastically enjoyable, with Eivor really shining throughout (play Female for what feels the canon story!) - they are truly deserving of standing alongside the icons of this long-running series. This is a legendary tale and an addition to the franchise that is good enough for the gods. PS4
GameSkinny - Jordan Baranowski 80 ~ 8 / 10 stars Assassin's Creed: Valhalla builds its world around a familiar formula, but with a compelling story and plenty of things to do, it's a game series fans will find inviting. PC
GameSpot - Jordan Ramée 80 ~ 8 / 10 Though its campaign takes time to get going, Assassin's Creed Valhalla brings a satisfying finish to the current saga of the franchise. XBSX
Hardcore Gamer - Chris Shive 80 ~ 4 / 5 Assassin's Creed Valhalla brings quality of life improvements to the new Assassin's Creed model but doesn't stray too far from familiar territory. PS4
IGN - Brandin Tyrrel 80 ~ 8 / 10 Assassin's Creed Valhalla is a massive, beautiful open-world fueled by brutal living and the dirty work of conquerors. It's a lot buggier than it should be but also impressive on multiple levels. XBSX
PlayStation Universe - Michael Harradence 80 ~ 8 / 10 Assassin's Creed Valhalla is everything I hoped it would be, and more. It sells the Viking fantasy flawlessly, is brimming gorgeous locations, vistas and interesting characters, and will keep you busy for 100 or so hours if you want to grab everything on offer. It's buggy in places, and the grinding is overwhelming at times to the point where it spoils the feeling of exploration and progression. However, these shortcomings can be overlooked if you're willing to stick with it. And you should, because Eivor's journey is one worth soaking up. PS4
Shacknews - Bill Lavoy 80 ~ 8 / 10 Ubisoft is known for their fun open worlds, but it appears that experience and previous stumbles have seen them take big steps forward, making Valhalla one of their best Assassin's Creed games in recent memory. PC
The Digital Fix - Seb Hawden 80 ~ 8 / 10 Assassin's Creed Valhalla is fun, with its many activities and a rewarding gameplay loop. There is nothing better than rocking up to a monastery with your raucous crew and robbing them blind. PS4
Windows Central - Jennifer Locke 80 ~ 4 / 5 stars Assassin's Creed Valhalla provides a gorgeous playground to explore with excellent combat. Though the story seems unnecessarily long, it's a fun Viking tale mixed with the series' own flare and sci-fi elements. XB1
Screen Rant - Rob Gordon 70 ~ 3.5 / 5 stars Enjoyable, but struggles with scope. PS4
USgamer - Reid McCarter 70 ~ 3.5 / 5 stars Assassin's Creed Valhalla's vision of ninth-century England is a beautiful place to explore, populated with a great cast of characters who make up for the bland new protagonist, Eivor. Nevertheless, the tired overarching story of Templars and Assassins, and a design ethos that overstuffs the setting with side activities, add unnecessary bloat and distractions to the experience. Valhalla's a solid action-adventure game that does well to capture the turmoil of its historical era, but it's weighed down by the increasingly ponderous legacy of the series it represents. XB1
Destructoid - Brett Makedonski 65 ~ 6.5 / 10 But I also found myself making excuses for Assassin's Creed Valhalla until I couldn't any longer. It mimics the Odyssey formula but takes a step backward in almost every way. It sacrifices story for scale. It's designed to discourage stealth in favor of epic battles. It's true to the Viking experience, but it isn't true to the Assassin's Creed experience. That's why it comes off feeling like the least essential game in the whole series. Impressive in some of its accomplishments, but inessential all the same. XB1
Worth Playing - Chris "Atom" DeAngelus 65 ~ 6.5 / 10 Assassin's Creed: Valhalla is a mostly solid, if somewhat unambitious, Assassin's Creed game that is dragged down by a shockingly poor PS4 release. I look forward to seeing how it runs on a PS5, but the last-gen version is hard to recommend due to the sheer amount of issues that I encountered while playing through the game. If you discount those issues, Valhalla would be a comfortable 8.0, but one can't just ignore those issues. Fans looking to continue the franchise's story should wait until Valhalla receives a series of patches or until they can pick up a next-gen version. PS4
Gadgets 360 - Akhil Arora 60 ~ 6 / 10 Assassin's Creed Valhalla is too much of the same thing, and it's not nearly engaging enough. XB1
Game Revolution - Michael Leri 50 ~ 2.5 / 5 stars Obsessing over playtime and Content™ at the cost of innovation and depth puts Valhalla‘s ability to actually get into Valhalla in question, as it doesn’t quite earn the kind of glory that only the best Vikings achieve. PS4

Thanks OpenCritic for the review export
submitted by ninjyte to Games

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